What This Department Really Does
Hair and Makeup is where human beings become characters. A great makeup artist can age someone 40 years, create wounds that make audiences wince, or apply beauty makeup so naturalistic that it looks like the actor isn't wearing any at all. A great hair stylist can transport an actor to any era, any culture, any walk of life with a single look.
This is deeply personal work. You're in someone's face at 4am, touching their skin, shaping how they see themselves in the mirror. The relationship between a makeup artist and their actor is one of the most intimate on set. Trust is everything.
SFX makeup is its own universe -- prosthetic design, silicone application, animatronics, blood effects. The artists who work in this space are sculptors, chemists, and painters rolled into one. They can create monsters that haunt your dreams or injuries that make you look away.
Every Seat at the Table
Designs the makeup looks for every character in the production. Reads the script, discusses the director's vision, creates makeup charts and continuity guides, and executes the principal actors' looks personally. The department head also hires and manages the entire makeup team.
The department head's second-in-command. Handles principal actors' makeup when the department head is occupied, oversees additional makeup artists, and ensures continuity across all characters.
Designs all hairstyles for every character. Sources and maintains wigs, hairpieces, and extensions. Creates period-accurate looks and manages the hair team. Must be skilled in cutting, coloring, styling, wig work, and historical hair research.
Second-in-command of the hair department. Styles principal actors, maintains wig inventory, and ensures hair continuity across shooting days. A great key hair can replicate any look from any era.
Handle day players, supporting cast, and background actors. Must be fast, versatile, and able to match the department head's established looks with precision.
Style day players, supporting cast, and background performers. Must work quickly and consistently, often handling 20+ people before camera rolls.
Creates prosthetic appliances, wounds, aging effects, creature makeup, and other special effects through practical makeup techniques. This specialty requires training in sculpting, mold making, silicone and foam latex application, and painting on three-dimensional surfaces.
Specializes in makeup application on the body -- tattoo coverage, continuity for scars and bruises, tanning/skin matching, and body painting. Essential for intimate or action scenes.
Equipment & Technology
Makeup Products & Tools
- RCMA Foundation Palettes
- Kryolan Supracolor & Dermacolor
- MAC Pro Full Product Line
- Ben Nye Theatrical Makeup
- Airbrush Systems (Iwata, Temptu)
- Makeup Brush Sets (Bdellium, Smith)
- HD/4K Foundations & Powders
- Setting Sprays (Skindinavia, UD)
Hair Tools & Products
- Professional Flat Irons (GHD, Bio Ionic)
- Curling Irons (multiple barrel sizes)
- Professional Blow Dryers (Dyson, Harry Josh)
- Hot Rollers & Pin Curl Sets
- Wig Caps & Lace Front Wigs
- Extensions (Clip-in, Tape-in, Sewn)
- Period Styling Tools (Marcel Irons, Finger Wave Combs)
- Color-Safe Hair Products
SFX & Prosthetics
- Silicone Prosthetic Appliances
- Foam Latex Pieces
- Pros-Aide Adhesive
- Spirit Gum & Removers
- Lifecasting Supplies (Alginate, Plaster)
- Sculpting Tools & Plastilina Clay
- Blood Effects (Fleet Street, Skin Illustrator)
- Contact Lens FX (prescription)
Skills & Qualifications
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